Cover of Grave Peril: The Dresden Files, Book 3

Grave Peril: The Dresden Files, Book 3

by Jim Butcher
4.5

About this book

Harry Blackstone Copperfield Dresden has had a rough couple of weeks. As the only openly practicing professional wizard in the Chicago area, he has squared off against a multitude of supernatural bad guys. Harry has won the day against demons, poltergeists, sorcerers, trolls, vampires, werewolves, and even an evil faerie godmother. You might think nothing could spook him. You would be wrong. Something is stirring up angry apparitions all over town. Something that can break all the laws of supernatural physics. Something that doesnt like Harry. His closest friends are being targeted. The net is closing in. Harry must find a solution soon or find this is one Nightmare from which he will never waken.

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What readers are saying

Sneaky Burrito

starting to see a nice arc to the series

"For me, this is where the Dresden Files novels really start to pick up. I think this -- of the four I've read so far -- had the best climax, and we also started to see some better character development over previous novels in the series. We get a few more supernatural elements introduced in this volume; while we've seen vampires before, we get a look at their internal politics here. We also see the introduction of faith or religious magic/power in the character of Michael, Harry's sidekick for most of this book. We encounter ghosts. And, we interact with Harry's godmother, the fae Lea, extensively. It bordered on information overload at times, and I don't necessarily feel that I got the best understanding of the faery realm, but have patience, because that will be remedied in book four. I do find myself wanting to see Lea come back because I am curious about her relationship with Harry's mother, so I'm fine with putting up with her idiosyncrasies for now. I'm not necessarily thrilled with the non-linearity of the storyline in this book. Early on, a lot of references are made to a past battle between a demon and Harry/his allies (including some cops and Michael). At first, I wondered if I'd mistakenly opened book four of the Dresden Files instead of book 3; there was definitely missing background information. On the plus side, you're able to get up to speed with Michael's story pretty quickly, and it may be that the author didn't feel he had enough material for an entire novel leading up to the demon battle. In which case he made exactly the right decision, to start this book with something exciting that introduces the new character (i.e., Michael) and gives some hints as to what will come. There's not a lot I can say about the setting or writing style that hasn't already been said. I think the first-person POV is particularly important here, because we're finally seeing more emotions from Harry, not just action, and we can really get inside his head. This improvement in characterization is a welcome change. Chicago is still Chicago, although a lot of this book takes place in rather otherworldly locations (the "Nevernever," which is actually not in this world, and vampire Bianca's home which is in Chicago but which has so many supernatural visitors it might as well be somewhere else). I like that not a lot of time is wasted on description of Bianca's place, with the exception of features that will figure prominently later on."

June 29, 2014 Verified Purchase
Jessica

Another "good" installment, but still waiting to be WOWed.

"GRAVE PERIL was a kind of awkward installment. A year has passed since the end of FOOL MOON, and in the interim, not only have Harry and Susan stayed together and are now in a committed relationship, but at some point Harry and our favorite officers of law enforcement have taken down a Bad Guy sorcerer who was using a demon, teenagers, drugs, orgies, and did I mention, a DEMON, to wreck various havocs in Chicago, the latter continually brought up in vague references . . . And that vaguely referenced takedown is the source of this book's plot. But we weren't there for that takedown, so it feels like we're missing something; that the “vague references” are vague b/c we already have the 411, and more detailed explanations aren't necessary . . . -Even though I knew, I KNEW, that, no, I had not accidentally skipped an installment, I found myself constantly wanting to check and make sure (*whispers* again). Beyond that I had a (gaping) handful of other small issues, beginning with the fact that I don't like ghosts. That's part of why I'm not much for steampunk: the Victorian obsession with contacting the dead is often inseparable from the gadgetry. And the concept of malicious spirits that are strong enough to physically harm the living . . . is rather horrific. Mostly b/c I can't get past the "dead" part. I mean, what do you do when your attacker can't be killed or stopped. . . b/c ALREADY DEAD?! Like Harry himself says: "There should be some kind of rule against needing to kill anything more than once." If there's a Winchester handy, then well and good, but I don't have a Sam or a Dean in my back pocket (mores the pity). I'm not much for vampires either. Oh, there are versions that I like well enough, but in truth they're merely at the top of the "Dead Things" list. And these vampires . . . if someone told me the colloquialism "bat s*** crazy" had its origins in this series . . . I would believe them. Entirely. Then there's Michael . . . Michael is the illusive true Man of God. Were he a real man, I would not be surprised if he "walked with God; and he was not, for God took him." Like Enoch. Which can be uncomfortable, but mostly it's dull. And hard to like. Every thing is very black and white to Michael, who is demonstrably disappointed in Harry for beating his Faerie Godmother at her own game (that would be manipulation of words and intent, aka tricking), when the alternative is to allow her to literally own him . . . By the end, he was easier to deal with, but I'm honestly not sure it that's b/c he got toned down, or b/c I really like his wife, which made me like him more by default. It's also starting to irritate me how little consistency there is to Harry's abilities. A pattern seems to be forming: x happens, leaving Harry practically powerless, then y happens, not only re-energizing him, but giving him a surplus of power as well. Furthermore, many of the times Harry’s been depleted, he somehow manages to "dig a little deeper" and accomplish the same kinds of things he'd be able to do were he not depleted. There's always some searing pain that accompanies these feats, presumably to account for the power surge in the midst of weakness, but as Harry seems to recover from his injuries at a remarkable rate, it really feels like smoke and mirrors. (<------HA!) I'm not saying Harry should never encounter obstacles that inhibit his ability to wizard. BUT. If it continues to happen in every, single book . . . *frowns* Lastly, Harry says, "Hell's bells," twenty-eight times. So I had a LOT of problems with this book. BUT . . . I still really enjoyed it. B/c no matter what plot point or character issues I had, I immensely enjoy Butcher's writing. When he's not being a gross boy (b/c GORE. Yes!)---do not ask, I refuse to relive it, but I will say this: if you've already read this book, the fork in the WTF? button should have special meaning---he's created an immensely engaging character in Harry, and between his amazing feats of wizardry and, yes, his adorkableness, I find myself able to stamp down the less-than-thrilling aspects of his story. Plus now there are also interesting plot developments and new characters to counter the mounting exasperation. Like Thomas. I friggin' LOVE Thomas. Speaking of Thomas, this is an example of the excellent writing that holds me in thrall: "The first sound to ring out was neither gunshot nor battle cry, but rich, silvery laughter. It drifted up, masculine, somehow merry and mocking, bubbling and scornful all at once. I squinted down through the lights, to see Thomas, posed like some bizarre post-chrysalis incarnation of Errol Flynn, one foot up on the stairs, hand braced, his other hand on the crystalline hilt of his sword. His head was thrown back, every lean line of muscle on him displayed with the casual disregard of skilled effort." Bob is also a consistent source of hilarity, AND there was a (view spoiler) So clearly it wasn't all, or even mostly, bad, and with SUMMER KNIGHT, the almost universally acknowledged game changer up next, there's no way I'm stopping now. I'll keep you posted. ["

April 26, 2015 Verified Purchase

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